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YASEMİN SÖZER
Artist | Art Educator | Prof. Dr.
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About Me

ABOUT ME

I avoid making any design or sketching prior to my works of art. This is because to hinder to do paintings dependent upon anything that could be easily explained. In addition to this, I prefer listening music while doing my paintings and try to avoid working in a place in where noise and images could affect me negatively. According to me, prior to each painting, there should not be anything that I could get any sense of it on a meaningless spot on the canvas so that I can reach my subconscious.

The spot that arouse my imagination and subconscious and does not have any meaning at the beginning or by following a figure and working with internal sudden decisions make me more enthusiastic. To be honest, I believe that the tripling of colour, spot and the structure composing the main dynamic of my works is nourished by this flame of enthusiasm.

Uncertainty, decoding messages of my subconscious, transforming them to the plastic meaning and the internal difficulty or excitement which I feel during this transformation are consuming passion with me.

Series

SERIES

2025...

Migration Stories 2024

The basis of my recent works is the narratives in which I examine at a conceptual level the global issues that shake people, such as the problematic of human existence, connection with nature, climate, migration, and war, with subjective classifications about myself, and by trying to overcome material hierarchies from all kinds of materials to digital production...

 

It was initially perceived as tainted within the theme of emptiness, but its references 

While the textures created by textural touches clustered one after another or on top of each other, derived from subconscious arguments, structure semi-abstract, and figurative forms on a deep platform in my works, all these dramatic and problematic analyses are actually a confrontation with both myself and the viewer in my inner journey at this point...

The Harem 2024

Harem is the center of interest in the unknown... 

A school where life is learned with its non-volunteer students... 

A golden cage in which women's jealousies, ambition, power and intrigues exist, where battles for existence take place to gain power...

The birds in the cage are colorful, some are freedom-loving and very intelligent, some are ambitious and power enthousiast. 

It is no longer written in their destiny to fly out of the cage and gain their freedom…

On the walls of the harem, where dramatic stories take place, sometimes the sounds of the baby Sultan’s being born, sometimes the laughter of the Sultan's wives, and sometimes the screams of the concubines, who were drowned by being thrown from the Topkapı Palace into the cold waters of the Bosphorus for punishment, mingle together...

Hundreds of women from different countries and cultures. Some are the sultan's wives, some are slaves...

Deep Notes 2023

Notes about life.

 

Birth, existence, resistance, death...

 

A line of life that involves human consequences that are sometimes out of human control.

 

Deep notes recorded in the subconscious, our choices, our successes, or the things we couldn't cope with, the deep notes that make us who we are…

Existential Notes 2021

My artworks in the "Existential Notes" series; are an expressionist representation that referring to the starting point of the individual, includes existential concerns, a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world.

 

This form of expression is characterized by repeated textures and abstract forms, and sometimes figurative expressions.

Aphorisms 2018 - 2019

Kafka's aphorisms are fascinating glimpses into the lure and the enigma of the form itself.

 

In this serie, I follow my own aphorisms in the depths of my spirit.

 

Sometimes in the big world of an insect, sometimes in the small world of human being...

 

"All human errors stem from impatience, a premature breaking off of a methodical approach, an ostensible pinning down of an ostensible object."

Empathy 2018

The Art Works here in Empathy Series refers to the mankind power on nature and human’s disingenuous approach of to the all other living creatures in nature.

I put myself into the place of the other owners of the World which we share out this Planet.
I have tried to see human beings with their eyes and wanted to understand and feel their reactions.
I, being a small part of this Planet, when trying to express my apologies, I also tried to transfer their visual images.
I have witnessed fear in their faces and eyes;  desperation in their hearts.
I am frightened, became deaf and being shot.
They had my skin out and used them as a garment but I didn’t tell my sorrow.
I became them.

Cosmos 2017

Everthing that exists in the life is with us, with questions…
Pushing the boundaries of our imagination world…
We, the little people of the great cosmos, 
could we open the doors of obscurity in our dream world
with the inspiration they maybe given us 
until we meet others in another space or planet?

Kafka and The Silk Road 2015 - 2017

It is quite painful to know that the silkworm grow out of its egg, ultimately spin cocoon like infinite sign(), fall into a deep sleep to become a butterfly and actually not able to aware of that this sleep is its own death.
This whole change, like Kafka's Metamorphosis, actually enables us to question life in itself.
Man, as part of the eternity is transforming when dreaming of eternal life and resist to death in some way.
Actually, maybe like a silkworm in a deep sleep, beware of death but hold on to life as if it is not exist,
Just at this point, connection between the West and the East, the great adventure of this little larva...
We live our lives as big as the world that we have built around us. And strangely our adventures coincide with this little bug.

The Silk Road is our meeting point, maybe.

In my opinion, everybody has their own wonderland. This series of paintings has traces from my wonderland.

 

During my childhood, before I learned how to read books, Alice in Wonderland made me realized to meet with a fantastic world. The heroes of this fantastic world have been friends for me for a long time. Alice, bunny, twins, etc. Sometimes I loved them very much, sometimes I was very scared with Alice and I was excited by the surprises.

 

But this world was a world of wonders, and of course everything could have been possible in there.

From The Wonderland 2013 - 2015

Spiral 2010 - 2013

Life is like a spiral. Sometimes stable, sometimes dynamic.

But every time it renews and creates itself...

İstanbul 2008 - 2010

İstanbul...

City that breathes.

The city of kings, sultans and prince...

İstanbul that we hear voices from the harem walls of

Topkapı Palace, watch the Bosphorus from Galata Tower,

meet with Byzantine in mosaics of Hagia Sofia...

Freedom 2008

Breathing freely,

talking freely,

painting freely,

writing poetry freely,

running freely...

In brief  living freely...

A Stream of Consciousness Beyond Time and Space


With an artistic foundation rooted in years of experience, Yasemin Sözer pursues a profound inquiry into human existence through her works. On this journey, she frequently reconstructs technical and material hierarchies, boldly expanding the possibilities of expression. Her works are charged with intense emotion, centered on fundamental concepts such as memory, history, space, migration, and identity. While inviting the viewer on a temporal journey, she delves into the deepest layers of consciousness through metaphors crafted with visual language.


In Sözer’s figures, the female body reinterprets historical narratives through undefined spaces, offering a unique perspective while exposing the clash between Eastern and Western historical viewpoints. The connection between the exoticized images of the past and the political realities of the present emphasizes the artist’s critical approach.
Her works feature ambiguous silhouettes, abstract forms, and dense layers of color, reflecting the complexity of the human inner world. The textures accumulating on the surface of the canvas make the traces of memory and the subconscious visible. Sözer encodes emotions and thoughts that could be expressed in words through images. The rhythmic structure of her compositions and their balanced forms function as visual aphorisms, guiding the viewer toward an intuitive perception, while her expressive brushstrokes reinforce emotional depth.


Particularly in her works on migration, a sincere narrative emerges, shaped by her own internalized roots. Figures depicted within undefined spaces create a visual depiction of displacement and alienation. Layered surfaces and the abstracted forms reflect the sensitive psychology of migrants, while sharp color transitions trace individual and societal conflicts.


When grouped, Sözer’s works and the themes she selects reveal the breadth of her artistic language and the vastness of the concepts she explores. Her series, shaped around memory, migration, identity, cosmology, and literary references, the viewer to engage in both personal and collective reflection. Each series carries a unique atmosphere both formally and conceptually, coming together as fragments of the artist’s holistic world. 


Beyond the distinct characteristics of her figures, the undefined and multidimensional spaces left to the imagination highlight the blurriness of memory and the ambiguous nature of reality. In her portraits, individuals are not defined by a completed story; they are abstracted from their identities and placed in a timeless state. This practice of anonymization creates a presence beyond the individual; reviving the voices of those forgotten, lost, or erased on canvas. Her avoidance of rigid adherence to specific colors serves as a reminder that stability is always fragile in a world filled with global uncertainties, individual conflicts, and traumas.


In Sözer’s works, meaning, much like Derrida’s concept of différance, cannot be fixed; the images resist certainty, constantly shifting and transforming with the viewer’s interpretation. This tension between the defined and the undefined, the concrete and the abstract, serves as a central expressive tool in her art. The viewer is not merely an observer but also a creator of meaning; each gaze adds a new layer or transforms the existing one.
Ultimately, Yasemin Sözer’s works, with their philosophical depth and social sensitivity, reveal the artist’s rich emotional and intellectual foundation, captivating viewers who can perceive this depth with an overwhelming impact. Her art transforms into a stream of consciousness beyond time and space, compelling the viewer to feel and think simultaneously.


Prof. Dr. Merih TEKİN BENDER

Events

EVENTS

  • "Cities and People” ETCA Art Group Exhibition
    "Cities and People” ETCA Art Group Exhibition
    Feb 15, 2026, 4:00 PM
    NDSM Fuse Amsterdam, NDSM-Plein 29, 1033 WB Amsterdam, Netherlands
    Feb 15, 2026, 4:00 PM
    NDSM Fuse Amsterdam, NDSM-Plein 29, 1033 WB Amsterdam, Netherlands
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  • "The Harem" Exhibition by Yasemin Sözer
    "The Harem" Exhibition by Yasemin Sözer
    Feb 09, 2025, 12:00 PM – Feb 22, 2025, 6:00 PM
    Amsterdam, NDSM-Plein 90C, 1033 WB Amsterdam, Netherlands
    Feb 09, 2025, 12:00 PM – Feb 22, 2025, 6:00 PM
    Amsterdam, NDSM-Plein 90C, 1033 WB Amsterdam, Netherlands
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  • Rotterdam St. Paulus Bekering, Capelle a/d Ijssel Paskalya Etkinlikleri
    Rotterdam St. Paulus Bekering, Capelle a/d Ijssel Paskalya Etkinlikleri
    May 26, 2022, 11:00 AM GMT+2 – Jun 05, 2022, 2:00 PM GMT+2
    Capelle aan den IJssel, Merellaan 352, 2903 GM Capelle aan den IJssel, Netherlands
    May 26, 2022, 11:00 AM GMT+2 – Jun 05, 2022, 2:00 PM GMT+2
    Capelle aan den IJssel, Merellaan 352, 2903 GM Capelle aan den IJssel, Netherlands
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  • Altın Çağ, Flaman Resminin Alt Metni ve Eserleriyle Rembrandt
    Altın Çağ, Flaman Resminin Alt Metni ve Eserleriyle Rembrandt
    May 20, 2021, 10:00 AM GMT+3
    May 20, 2021, 10:00 AM GMT+3
    Microsoft Teams Live
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  • KunstKijk 2018
    KunstKijk 2018
    May 12, 2018, 11:00 AM – May 13, 2018, 5:00 PM
    Stichting 't Centrum, Weesmolenstraat 12, 3257 XM Ooltgensplaat, Netherlands
    May 12, 2018, 11:00 AM – May 13, 2018, 5:00 PM
    Stichting 't Centrum, Weesmolenstraat 12, 3257 XM Ooltgensplaat, Netherlands
    During the Ascension weekend from 10 to 13 May, Goeree-Overflakkee is once again dominated by art. http://kunstkijk.com/
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  • Metamorfose
    Metamorfose
    May 22, 2017, 9:00 AM – Aug 01, 2017, 4:00 PM
    Honorair Consulaat-Generaal van Turkije, Kort Rapenburg 1, 2311 GC Leiden, Netherlands
    May 22, 2017, 9:00 AM – Aug 01, 2017, 4:00 PM
    Honorair Consulaat-Generaal van Turkije, Kort Rapenburg 1, 2311 GC Leiden, Netherlands
    Vanaf mei is in het HCG Turkije de expositie ‘Metamorfose’ te zien van de Turkse kunstenares Yasemin Sözer. De expositie bestaat uit een tiental schilderijen geïnspireerd door de Zijde Route en Kafka.
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© 2017 by Yasemin SÖZER

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